William Pope - the friendliest black artist in America.

By: Pope, William, 1955- | Institute of Contemporary Art | Maine College of Art.
Contributor(s): Bessire, Mark.
Material type: materialTypeLabelBookPublisher: Cambridge, Mass.; London : MIT Press, 2002Description: 237p, ill. (chiefly col.) ; 26 cm.ISBN: 0262025337.Subject(s): Photography | Exhibitions | Photographers, individual works | African Americans in art | Social conflict in art | Pope.L, William, 1955--Criticism and interpretationDDC classification: 770.69POP
Item type Current location Collection Call number Status Date due Barcode Item holds
Standard Loan Book Standard Loan Book AUB Library
Book 770.69 POP (Browse shelf) Available 038448
Total holds: 0

Enhanced descriptions from Syndetics:

<p>The artist William Pope.L, who teaches at Bates College in Lewiston, Maine, has been producing some of the most original visual and performing art in America for many years. But it was not until the Acting Chairman of the National Endowment for the Arts overturned the recommendations of the NEA's own advisory panel to support this publication and the exhibition it accompanies that Pope.L became the subject of feature articles in the nation's major newspapers. Pope.L became a cause celebre as a result of the scandal, but he deserved to be known long before that. His work is humane, accessible, profound, and humorous; it is also deeply challenging and self-aware. It is neither an accident nor a joke that his business card reads "Friendliest Black Artist in America."</p> <p>Many of Pope.L's pieces take place on the street. He has eaten and regurgitated copies of The Wall Street Journal, tied himself to a bank door and handed out money (a sort of reverse panhandler), crawled up the Bowery wearing a business suit, and walked down 125th Street in Harlem wearing a 12-foot white cardboard phallus. Although he frequently deals with racial issues, his work confounds preconceptions of what "black art" should be.</p> <p>This book, which accompanies a nationally touring exhibition of Pope.L's work, explores his impact on American art and culture. It contains sections on practices, body, performance, dialogue, consumption, and a selection of the artist's writings and a chronology. The essays are by Mark H. C. Bessire, Suzanne Preston Blier, C. Carr, Geoffrey Hendricks, Stuart Horodner, Lowery Stokes Sims, Kristine Stiles, and Martha Wilson.</p>

Exhibition catalogue. Exhibition schedule, July 26-October 17, 2002 Institute of Contemporary Art at Maine College of Art (ICA at MECA), Portland, Maine: January 10-February 22, 2003 DiverseWorks Artspace, Houston, Texas: May 7-July 28, 2003 Portland Institute for Contemporary Art (PICA) Portland, Oregon: January-February 2004, Artists Space, New York, Mason Gross Art Galleries, Rutgers University, New Brunswick, New Jersey.